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    The Wrong Place - 图书

    导演:Brecht Evens
    Wanton youth seen through lush, dreamy, and sweeping watercolors. Rendered in vividwatercolorwhere parquet floors and patterned dresses morph together, "The Wrong Place "revolves around the often absent Robbie, a charismatic lothario of mysterious celebrity who has the run of a city that is as chaotic as it is resplendent. Robbie's sexual energy captivates the attention of men ...(展开全部)
    The Wrong Place
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    The Wrong Place - 图书

    导演:Brecht Evens
    Wanton youth seen through lush, dreamy, and sweeping watercolors. Rendered in vividwatercolorwhere parquet floors and patterned dresses morph together, "The Wrong Place "revolves around the often absent Robbie, a charismatic lothario of mysterious celebrity who has the run of a city that is as chaotic as it is resplendent. Robbie's sexual energy captivates the attention of men ...(展开全部)
    The Wrong Place
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    Wrong Place Wrong Time - 图书

    导演:Gillian McAllister
    Late October. After midnight. You’re waiting up for your seventeen-year-old son. He’s past curfew. As you watch from the window, he emerges, and you realize he isn’t alone: he’s walking toward a man, and he’s armed. You can’t believe it when you see him do it: your funny, happy teenage son, he kills a stranger, right there on the street outside your house. You don’t know who. Y...(展开全部)
    Wrong Place Wrong Time
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    Wrong Place Wrong Time - 图书

    导演:Gillian McAllister
    Late October. After midnight. You’re waiting up for your seventeen-year-old son. He’s past curfew. As you watch from the window, he emerges, and you realize he isn’t alone: he’s walking toward a man, and he’s armed. You can’t believe it when you see him do it: your funny, happy teenage son, he kills a stranger, right there on the street outside your house. You don’t know who. Y...(展开全部)
    Wrong Place Wrong Time
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    ……WRONG…… - 小说

    导演:墨书宣
    ……WRONG……
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    The Wrong Side of Goodbye - 图书

    导演:Michael Connelly
    Only Harry Bosch can uncover LA's darkest secrets in this new gripping thriller from global bestseller Michael Connelly. Read by Titus Welliver, star of BOSCH.'What do you want me to do?' Bosch asked again.'I want you to find someone for me,' Vance said. 'Someone who might not have ever existed.'Harry Bosch is working as a part-time detective in the town of San Fernando outside...(展开全部)
    The Wrong Side of Goodbye
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    The Wrong Side of Goodbye - 图书

    导演:Michael Connelly
    迈克尔·康奈利是深受美国前总统比尔·克林顿、摇滚巨星米克·贾格尔等人喜欢的推理小说家之一,他被《GQ》杂志称为“世界上最好的悬疑小说作家”。他的小说迄今为止销售了7400万册,被翻译成40种文字,并且几乎每一部都能登上《纽约时报》畅销书排行榜榜首。迈克尔·康奈利从事小说创作之前 ,在《洛杉矶时报》担任犯罪新闻记者,丰富的经历为他的写作提供了坚实的基础。1992年,他创作了以洛杉矶警探哈里·博斯为主角的小说《黑色回声》,获得当年爱伦·坡奖的最佳处女作奖。目前,“哈里·博斯系列”小说已出版了20部。
    The Wrong Side of Goodbye
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    The Address of the Eye: A Phenomenology of Film Experience - 图书

    导演:Vivian Carol Sobchack
    Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)
    The Address of the Eye: A Phenomenology of Film Experience
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    The Address of the Eye: A Phenomenology of Film Experience - 图书

    导演:Vivian Sobchack
    Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)
    The Address of the Eye: A Phenomenology of Film Experience
    搜索《The Address of the Eye: A Phenomenology of Film Experience》
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    The Address of the Eye: A Phenomenology of Film Experience - 图书

    导演:Vivian Carol Sobchack
    Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)
    The Address of the Eye: A Phenomenology of Film Experience
    搜索《The Address of the Eye: A Phenomenology of Film Experience》
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